A haiku master complained about the ho-humness of this haiku:
old gym shoes --
the echo of the bounce
inside the ball
I heard the bounce echo in my son's freshly-inflated Gertie ball and suddenly I had 2/3 of a haiku (she's working with 2/3 of a haiku, folks), so I started casting about for a first line. I immediately thought of:
distant thunder --
the echo of the bounce
inside the ball
This seemed overdone in a metaphorical sense (the echo of the bounce
might sound like distant thunder, but the comparison would make a
tawdry haiku, IMO).
Next up was sultry evening. I first typed it like this:
sultry evening --
the echo of the bounce
inside the ball
This is the story of my haiku life. I really would appreciate
some hints on finding good opening images.
lighted fishtank --
the echo of the bounce
inside the ball
last dance --
the echo of the bounce
inside the ball
weaving drunks --
the echo of the bounce
inside the ball
empty bathtub --
the echo of the bounce
inside the ball
sidewalk chalk --
the echo of the bounce
inside the ball
mosquitoes whine --
the echo of the bounce
inside the ball
loaded derringer --
the echo of the bounce
inside the ball
symphony program --
the echo of the bounce
inside the ball
But I like the gym shoes. They were right there against the Gertie ball: Dad's old shoes and his sons' new ball. I didn't deliberately make a connection to basketball although it's likely that I was doing so subconsciously.
Here's another question: How much separation does there need to be to juxtapose two images? Can you sometimes have related images or is it important that the juxtaposed things always be a mismatched set?
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