columbia falls
the first golden poppies bloom
along the highway
2 February 2003
undone
a fatty piece of lamb
in the roasting pan
2 February 2003
muddy yard
the girl pirouettes in
forget-me-not blue
3 February 2003
Monday, October 31, 2011
Sunday, October 30, 2011
haiku retrospective ccliii
As a Quaker, the subject of pacifism is central to who I am. I
struggle with the difficulty of following the path of peace all
ways in my life. I experience a lot of ridicule because, even
though pacifism might be morally sound, people think that it's
impractical.
I've been thinking of John Woolman lately. Woolman was an American Friend in the early 18th century. He was a strong witness against the practice of slavery, and he opened many hearts to his concern.
indigo dye
the lash of the whip
on the slave's back
I also think of George Fox, who refused to take part in the British Civil war almost 350 year ago. Yet when William Penn asked whether he should resign his commission in the army, Fox said, "Carry thy sword while thou canst." By this, Fox meant that Penn's conscience was not in his keeping.
nuclear arsenal
carry thy sword
while thou canst
I look forward to sharing what we can, disagreeing when we must, and learning from our differences.
open hearts
peace
is every step
31 January 2003
I've been thinking of John Woolman lately. Woolman was an American Friend in the early 18th century. He was a strong witness against the practice of slavery, and he opened many hearts to his concern.
indigo dye
the lash of the whip
on the slave's back
I also think of George Fox, who refused to take part in the British Civil war almost 350 year ago. Yet when William Penn asked whether he should resign his commission in the army, Fox said, "Carry thy sword while thou canst." By this, Fox meant that Penn's conscience was not in his keeping.
nuclear arsenal
carry thy sword
while thou canst
I look forward to sharing what we can, disagreeing when we must, and learning from our differences.
open hearts
peace
is every step
31 January 2003
Saturday, October 29, 2011
haiku retrospective cclii
blue winter sky
the forest hidden
behind the trees
30 January 2003
grandmotherly kindness
the sound of ducklings
hitting the pond
31 January 2003
columbia falls
the first golden poppies bloom
along the highway
2 February 2003
the forest hidden
behind the trees
30 January 2003
grandmotherly kindness
the sound of ducklings
hitting the pond
31 January 2003
columbia falls
the first golden poppies bloom
along the highway
2 February 2003
Friday, October 28, 2011
haiku retrospective ccli
As a diversion from making the "blacklisted" web page, I collected the
following middle lines from a number of my haiku and rearranged
them into the following new haiku. I added prepositions and adjusted
cases when necessary, but left the lines as untouched as possible.
Enjoy the surrealism.
trees glow green
a hippopotamus opens
the sound of an ornament
bumpy flight
guatemalan security checks
the blur of insects
the woodcutter shaves
a large raven rummages
on the beach freeway
storm clouds gather
every trail leads
to reflections of children
a dead leaf spins
the old woman stretches
the silence between ticks
layers of sunlight
the bean vines climb
on spider silk
the red poppy buzzes
tree branches toss
the sine wave's scamper
the child climbs on my lap
a red m&m melts
roses explode
yellow leaves among the green
sun glints off the tail
of a swallowtail butterfly
all colors fade
the truck dumps asphalt
on the out-of-town guest
layers of color
tooth marks in the frosting
of the vegetable feast
a single willow leaf spins
dumping the water out
of the puzzled haijin
a blackberry stretches
reflections from the water
the duck's neck extends
the ripples of their footsteps
a jet roars across
the spout of the teapot
a fingerling leaps
the sedges' leaves dip
into a swarm of sand fleas
the duck family emerges
a leaf detours
around the rock-throwing boy
green kingfisher
the diving boys climb
a craggy oak branch
a rock skips through the reflections
a wave of cirrus clouds breaks
so many dreams left
a boy cannonballs
two streaks of silver and
the smell of sewage
the hiss of the ocean
the dragon princess growls
at red, white and blue bunting
speed bumps
a corona around
the frayed american flag
three ravens circle
the stars and stripes hang limp
against tarred road felt
a storm of yellow leaves
the old man drills bolt holes
in his twin horns
the prelate dawdles
his open hand cracks
the mountain ridge
upturned garbage carts
women exchange soup recipes
carved on fallen branches
29 January 2003
Enjoy the surrealism.
trees glow green
a hippopotamus opens
the sound of an ornament
bumpy flight
guatemalan security checks
the blur of insects
the woodcutter shaves
a large raven rummages
on the beach freeway
storm clouds gather
every trail leads
to reflections of children
a dead leaf spins
the old woman stretches
the silence between ticks
layers of sunlight
the bean vines climb
on spider silk
the red poppy buzzes
tree branches toss
the sine wave's scamper
the child climbs on my lap
a red m&m melts
roses explode
yellow leaves among the green
sun glints off the tail
of a swallowtail butterfly
all colors fade
the truck dumps asphalt
on the out-of-town guest
layers of color
tooth marks in the frosting
of the vegetable feast
a single willow leaf spins
dumping the water out
of the puzzled haijin
a blackberry stretches
reflections from the water
the duck's neck extends
the ripples of their footsteps
a jet roars across
the spout of the teapot
a fingerling leaps
the sedges' leaves dip
into a swarm of sand fleas
the duck family emerges
a leaf detours
around the rock-throwing boy
green kingfisher
the diving boys climb
a craggy oak branch
a rock skips through the reflections
a wave of cirrus clouds breaks
so many dreams left
a boy cannonballs
two streaks of silver and
the smell of sewage
the hiss of the ocean
the dragon princess growls
at red, white and blue bunting
speed bumps
a corona around
the frayed american flag
three ravens circle
the stars and stripes hang limp
against tarred road felt
a storm of yellow leaves
the old man drills bolt holes
in his twin horns
the prelate dawdles
his open hand cracks
the mountain ridge
upturned garbage carts
women exchange soup recipes
carved on fallen branches
29 January 2003
Thursday, October 27, 2011
haiku retrospective ccl
Five different takes of a snail crossing the road or five snails?
the earth turns
a snail crosses
the road
warm front
a snail crosses
the road
early robin
a snail crosses
the road
snow melts
a snail crosses
the road
morning pastry
a snail crosses
the road
29 January 2003
the earth turns
a snail crosses
the road
warm front
a snail crosses
the road
early robin
a snail crosses
the road
snow melts
a snail crosses
the road
morning pastry
a snail crosses
the road
29 January 2003
Wednesday, October 26, 2011
haiku retrospective ccxlix
winter picnic
another orange peel
hits the compost
....in California, where it's a sunny 60F today and the children have decided to eat their lunch outdoors.
oranges and sunshine
he runs his bare toes
through the grass
too early for dandelions
the cat finds another
place to nap
28 January 2003
another orange peel
hits the compost
....in California, where it's a sunny 60F today and the children have decided to eat their lunch outdoors.
oranges and sunshine
he runs his bare toes
through the grass
too early for dandelions
the cat finds another
place to nap
28 January 2003
Tuesday, October 25, 2011
haiku retrospective ccxlviii
One might try:
enron's america
“in greed we trust”
I think that tolerance of bad haiku is necessary to the development of good haiku. Many haiku don't work, but we have to do the best we can. If we're going to learn how to write haiku, we need lots of practice, and some of that practice will produce flops.
Sometimes, when a person posts a bad haiku, someone else will post a variation that's positively brilliant. I find that process highly educational. Thus I encourage people to post the haiku they can't get to work, as well as their masterpieces.
joe's diner
“in grease we trust”
29 January 2003
enron's america
“in greed we trust”
I think that tolerance of bad haiku is necessary to the development of good haiku. Many haiku don't work, but we have to do the best we can. If we're going to learn how to write haiku, we need lots of practice, and some of that practice will produce flops.
Sometimes, when a person posts a bad haiku, someone else will post a variation that's positively brilliant. I find that process highly educational. Thus I encourage people to post the haiku they can't get to work, as well as their masterpieces.
joe's diner
“in grease we trust”
29 January 2003
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